John Mulvey

Howlin Rain's "Magnificent Fiend"



As regular readers may have spotted, I’ve been droning on about the second Howlin Rain album since the end of last summer, when an early copy reached me by mildly nefarious means. I’ve regularly postponed blogging on “Magnificent Fiend”, mainly because Rick Rubin signed up the band in the States and the release date has been unusually volatile (it’s now due out in April in the UK, possibly a little earlier in the US). The other reason for the delay, though, is that I’ve played it so much, it’s weirdly become harder to write about. It’s time, though, to attempt to do it justice: though I usually try and avoid crude empirical hype, it’s hard for me to imagine many better rock albums will be released in 1974. Or even in 2008.


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John Mulvey

The Ninth Uncut Playlist Of 2008



That time of the week again. Here are the records that we've played over the last day and a bit in the Uncut office. One thing here worth explaining: Retribution Gospel Choir are fronted by Low's Alan Sparhawk and produced by Mark Kozelek.


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John Mulvey

The Last Shadow Puppets: "The Age Of The Understatement"



Yesterday, I watched a DVD of “Love Story”, a documentary about Love and Arthur Lee. It’s not the most elegant piece of film-making I’ve ever seen, but the research and the storytelling of Lee, Johnny Echols, Bryan Maclaine, Jac Holzman (who should have a film devoted to him and Elektra, I think) and many others make it compelling.


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John Mulvey

Black Mountain on Youtube, White Denim on Myspace



A couple of quick things for your delectation today. One is a clip of Black Mountain sleepily invading the mainstream by playing “Stormy High” live on the Conan O’Brien show. Look at all that beautiful hair and how they avoid looking at the cameras at all costs. Mighty impressive.


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Michael Bonner

UNCUT's Oscar predictions



I’ve just got off the phone with BBC Radio Kent who, in the preamble to this Sunday’s Academy Awards, were asking me, among other things, for my thoughts on who might win in the Best Song category.


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Allan Jones

Scorsese, the Stones and Shine A Light



Bear with me a minute while I blow away a few of these cobwebs. Yeah, that’s better. Anyway, what I wanted to say is that I went yesterday to a screening of Martin Scorsese’s Shine a Light, his film of The Rolling Stones in concert at New York's Beacon Theatre.


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John Mulvey

Vampire Weekend live



Given how everyone has fixated on their Ivy League background, the sticky-floored ambience – the quintessential redbrick-ness - of ULU shouldn’t be quite right for Vampire Weekend. Surely, we should all be watching them in an immaculate marquee, in the grounds of an Oxford college, shortly before a long and intense reading party in the Cotswolds?


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John Mulvey

Another New Plush Song



Just remembered: following the blog on Plush last week, Jon Dale has sent me a link to another new Liam Hayes song.


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John Mulvey

A glimpse of new Alex Turner, plus Erykah Badu



I was too busy last night to watch the Brits - well, OK, I was hooked on Masterchef and Grand Designs - and this excellent blog articulates perfectly the reasons why I can't bring myself to tune in, year after year. As one of the elite thousand or so who voted, however, I was pleased to see one of my ballot-spoiling choices, The Arctic Monkeys, win a couple of things.


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John Mulvey

The Eighth Uncut Playlist Of 2008



Morning all, here's the latest rundown. I guess the most significant new arrival this week is from Spiritualized: "Songs In A&E" just arrived. We're on Track Five right now.


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Editor's Letter

The return of The Aphex Twin, and Caustic Window


Last year, Warp Records embarked on a campaign for Boards Of Canada's "Tomorrow's Harvest" comeback that was notable for its obtuseness. Unmarked 12-inches were hidden in record stores, strings of numbers and inexplicable broadcasts were strewn enigmatically across the internet. At one point, I...