Coming to you live from Mars, the sci-fi loving Never Mind The Buzzcocks team captain will be dispensing more of his unique brand of humour in the Comedy Area. Bailey will doubtless be one of Latitude’s highlights – his fantastic sets usually feature surreal, digressive routines covering everything from Star Trek to otters.
In this month's Uncut, Guy Garvey previews Latitude and notes, with regard to The Mars Volta, "We're all into some heavy prog." A sceptic might say that you'd need to be, given that this remarkable Californian band have a much more unambiguous relationship with prog rock than most of their more timid contemporaries.
PAUL Simon and Crowded House were the billed main headliners but if the phalanx of photographers snaking its way across the field during The Bangles’ Saturday set is anything to go by, the biggest star at this, the fifth Cornbury Festival, is an inconspicuously turned out gent and a lady we take to be his wife who are making their way, as casually as possible, down into the throng around the stage.
Franz Ferdinand, Glasgow’s most eminent art-college band turned international rock stars, close the main stage on the first night of Latitude. According to frontman Alex Kapranos, Franz Ferdinand set out to prove that art-rock could involve "really, really catchy tunes that girls can dance to".
Previously, Radio 4 has hosted its arts magazine show, Loose Ends, from Latitude. Loose Ends returns this year, to the Radio 4 stage, along with satirical comedy The Now Show, Roger McGough's Poetry Please and current affairs programme, Broadcasting House. But surely the most impressive presence on the Radio 4 bill is the legendary panel game, Just A Minute.
Thanks for all your half-year Top Tens; some interesting choices there, as well as The Charlatans. Keep them coming, and I’ll do some kind of dark mathematics and rustle up a collective Wild Mercury Sound chart next week.
British Sea Power have a reputation as a band who like to punch above their weight: Rough Trade signed them on the strength of a single gig, their 2003 debut album, The Decline of British Sea Power, shifted 60,000 copies through word of mouth, and they once avoided interviews by issuing journalists with grid references 'directing' them to where they should meet. There will undoubtedly be a contingent of their devoted fans, complete with a sea of waving leafy branches, when they play the main Obelisk stage on Friday at Latitude.
Such has been the drooling media focus on Kate Bush this week, it might be tough to imagine British music journalists listening to anything else these past few days. I'm not, in fairness, exempt from the hysteria: here's...