Hunter Davies, who in 1968 wrote the first authorised biography of The Beatles and now more than 50 years on has compiled and edited The John Lennon Letters, admits in his introduction that he has for the purposes of the book ‘rather expanded the definition of the word letter’, which immediately sounds bit slippery, especially when he also describes some of the material he has unearthed as ‘notes and lists and scraps’. This sounds rather unpromising, as if Davies is preparing the reader for disappointments to come.

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As part of our current Rolling Stones cover story, I interviewed director Brett Morgen about his Stones' film, Crossfire Hurricane.

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Ben Affleck. Who'd have thought..? I remember going to a sparsely attended screening of Jersey Girl, Kevin Smith's laugh-free 2004 romcom with Affleck cast alongside his then girlfriend, Jennifer Lopez, and wondering what had happened to derail such a promising career.

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Quite tempting yesterday to play nothing but “Signed Sealed Delivered I’m Yours”, but here’s this week’s playlist, with quite a few new clips (Broadcast, Jessica Pratt, Hiss, Ty!), links and new entries.

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You catch us on a pretty busy day, deadlines fast approaching for our last issue of 2012. That’s the one, of course, that traditionally carries our end-of-year lists of best albums, reissues, films, DVDs and books. This means we’ve all been recently asked to nominate our personal Top 20s, from which John has been compiling the definitive countdown, the full list to be published when he’s finished his painstaking calculations in the Uncut that comes out at the end of November.

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As you might expect of a book about Leonard Cohen, Sylvie Simmons spends a fair proportion of I’m Your Man writing about love, faith, depression, finance, and the demands and consolations of poetry and women. Mostly, though, the focus of this hefty and thorough book is Leonard Cohen’s charm: about how an exceptionally gifted artist has seduced most everyone who has come into contact with him, through the course of an uncommonly eventful life.

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If you've ever suspected that Brian Eno's enduring reputation as an avant-garde genius is more mythical than actual, his discography from the past few years makes for a satisfying read.

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That pretending-not-to-be-annoyed-by-the-Mercurys morning of the year. But as way of distraction, here’s this week’s rather late office playlist.

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As the first song of Jessica Pratt’s first album begins, you could be forgiven for believing it was a private press folk album from the early ‘70s. The work of a lost canyon comrade of Linda Perhacs, perhaps, or the implausibly lovely efforts of a “Blue” disciple from some one-horse town in the mid-west.

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News from Oliver Gray, who runs The Railway in Winchester, where he has promoted the Uncut Sessions, as a kind of Club Uncut in exile since we quit our original home at London’s Borderline. The Uncut Sessions started a couple of years ago when Oliver booked Richmond Fontaine for two special shows. The first, on what I remember was a rather damp and windswept Saturday afternoon, saw Richmond Fontaine play their brilliant Post To Wire album in its entirety. Their second show, that evening, featured just about every other song the band had ever played, written, recorded, covered or merely just heard, possibly once, blasting out of the radio of a passing car, whistled by a waitress, hummed by a barman or otherwise brought to their passing attention in vague and possibly unremembered ways. The set went on for what people later reckoned was about four hours, although by its end the crowd had in all likelihood have lost all sense of time and the band could have carried on well into the following week without complaint from anyone there.

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