Blogs - Uncut.co.uk

The Rolling Stones, London 02, November 29, 2012

Allan Jones Fri, 30/11/2012 - 5:26pm

After all the hoo-ha, huff, hysteria and hot air, here, finally, are The Rolling Stones doing what they do even better than raising the collective temperature with impertinent ticket prices, something they seem to have been doing at least since their 1969 American tour, nothing new in the Stones being accused of commercial banditry and the cynical exploitation of their fans, on whose behalf so many complaints have been indignantly voiced since the 50 And Counting dates in London and New York were announced. Why don’t they celebrate their half-centenary with, say, a free concert, the cry went up in some quarters, and let more people have a chance to see them, and for nothing too? Well, when they tried that in 1969, look where it got them: Altamont.

Interview: Peter Strickland on Berberian Sound Studio

Michael Bonner Fri, 30/11/2012 - 12:35pm

You’ll hopefully have spotted Uncut’s Films Of The Year in our current issue. High up the Top 10 is the brilliant Berberian Sound Studio, director Peter Strickland’s spin on low-rent 70s Italian horror movies and a tribute to the Heath Robinson-style endeavours of foley artists and sound designers of a certain generation. Ahead of the film's imminent release of the film on DVD – and Broadcast’s score in the New Year – I caught up with Peter Strickland to chat about the film and his influences.

The 48th Uncut Playlist Of 2012, Bill Fay, plenty of links...

John Mulvey Wed, 28/11/2012 - 11:25am

Sometime in the summer of 2011, I spent a pretty amazing Saturday morning at a small recording studio in Green Lanes, North London. When I walked in, a hesitant but beautiful piano line was coming through the speakers, and one of the most emotionally compelling voices I’ve encountered in the past few years was singing a song which, it transpired, would be called “Never Ending Happening”.

Getting ready to see the Stones. . .

Allan Jones Tue, 27/11/2012 - 4:15pm

I’m off to see the second of the Stones’ 50th anniversary shows at the O2 on Thursday, and pretty excited about it. This morning, rummaging through some back issues of Uncut, I came across something I’d written about going to see them at Wembley Stadium in 1982, when they were touring in celebration of their 20th anniversary, amid much speculation that surely this would be their last go-around, retirement their next stop, which is very much what people have thought every time since then that they’ve toured. And yet here they are, 30 years further down the line, and no hint yet that we have seen the last of them.
Anyway, here’s the piece I came across earlier today. Have a good week.

"People drifted off..." Bryan Ferry on Roxy Music's many bass players

Michael Bonner Tue, 27/11/2012 - 12:32pm

In the current issue of Uncut, I spoke to Bryan Ferry for our An Audience With… feature. Among the reader questions was one from Rob Emery, who asked ‘Why do you think Roxy Music got through so many bass players?’

Ben Wheatley's Sightseers

Michael Bonner Mon, 26/11/2012 - 10:12pm

Apart from a rather undignified search on secondary ticketing websites for Rolling Stones tickets, I spent part of my weekend listening to Jim Williams’ folktronic score for Sightseers, a terrific black comedy from Ben Wheatley.

The 47th Uncut Playlist Of 2012

John Mulvey Wed, 21/11/2012 - 2:15pm

The new issue of Uncut should be with subscribers imminently, and in UK shops on Friday. Of some interest, I suspect, will be our Top 75 new albums of 2012 rundown; feel free to talk to me here about that when you’ve had a look (or before, if you like).

Bruce Springsteen, Black Keys, Bryan Ferry, Paul Weller, Ty Segall plus The Top 75 Albums Of The Year in the new Uncut

Allan Jones Tue, 20/11/2012 - 4:38pm

The new issue of Uncut will be on sale from Friday. Subscribers, of course, those sensibly organised people who plan ahead and have their lives in probably perfect order, may already have started receiving their copies. Lucky them! We’re actually still waiting for ours, but not yet fretting that they’ve been re-routed, sent via some staging post on a distant tundra where passing yaks may end up feasting upon them, the chomp-chomp-chomp of their distracted munching the only sound in that vast space, the hairy ruminants quite indifferent, of course, to what’s actually in the issue. Which is a lot, and includes in the grand annual tradition of these things, our review of the year, a 30-page special, featuring our Top 75 Albums Of 2012, plus the best reissues and box sets, films, DVDs and books, as voted for by over 40 Uncut contributors.