John Mulvey

Sly And The Family Stone at Lovebox, London



At nine o'clock, the omens are not great. Sly And The Family Stone are meant to be starting their headlining set right now, and the strict curfew on this inner-city festival is 10.30. On the main stage, though, Chris Stein has decided to add a five-minute guitar solo to "Rapture", while Debbie Harry looks on with a sort of professional vapidity. Blondie, in all their lumpen, functional weariness, aren't going to be finished any time soon.


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John Mulvey

Iron & Wine's "The Shepherd's Dog"



Is it weird to like a record even though it reminds you, however faintly, of something you never liked very much? I only ask because I've been playing this new Iron & Wine record quite a lot this past couple of weeks.


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John Mulvey

Your best of Latitude, plus James Blackshaw



I know we have to stop banging on about the Latitude festival at some point this year, but I've just been going through some of your comments on the Uncut Latitude blog. I've never seen such a positive response on the Uncut blogs before, exemplified by Dave's pithy, "Superb. Great Atmosphere. Great Organisation." I've just done a bit of unscientific number-crunching, and can now exclusively reveal your favourite bands of the weekend.


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John Mulvey

The Nationwide Mercury Prize shortlist: wailing, gnashing of teeth to fade



Just back from the Mercury Music Prize scrum down in Covent Garden. I realise that making a fuss about this sort of thing is playing into the hands of the organisers, on the grounds that any publicity is good publicity and all. And, yes, there are a bunch of records here that I like: the Arctic Monkeys (a deserving winner, I'd say), Amy Winehouse and the Klaxons, for a start. I guess as a measure of how healthy new British music is right now, it's OK. And the absence of Editors, The Fratellis, The Twang and so on is mildly satisfying.


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John Mulvey

Latitude aftermath, plus forthcoming attractions



Sorry this blog's been quiet these past few days. I've actually been squatting over at the Latitude blog. The extended Uncut family all spent an excellent weekend up there at the festival, and there are something like 40 blogs you can check out on all our highlights.


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John Mulvey

Alberta Cross



I just found one of the coolest stages I can remember seeing at a British festival. There’s a lake in the middle of Latitude, and a densely wooded slope that runs down to it. Somewhere fairly deep into these woods is the Sunrise Stage, and it’s here that I find Alberta Cross.


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John Mulvey

Latitude bound



Just a quick note to say that I'll be heading off to deepest East Anglia tomorrow to report on the Latitude Festival, which we're sponsoring. Instead of posting here, I'll...


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John Mulvey

Thurston Moore's "Trees Outside The Academy"



Looking back over the past few months of writing Wild Mercury Sound, it does seem like I go on again and again about Sonic Youth and Thurston Moore's Ecstatic Peace label. I guess I can be a bit fanboyish over the whole business, but then there are few bands who've shaped my musical aesthetics as profoundly as the Youth, and the wild and varied music that Moore has been putting out on his imprint of late (from Wooden Wand to Turbo Fruits, from MV + EE And The Bummer Road to Sunburned Hand Of Man, to Awesome Color) means they've kept me excited and engaged more, perhaps, than any other label in 2007.


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John Mulvey

San Francisco Nuggets, Super Furry Animals, Rilo Kiley and the Boredoms



A few interesting posts turned up on the blogs these past few days. The Super Furry Animals love continues, and Harri writes, "On first listen it sounded good, but maybe little bland by SFA's lofty standards; by the 4th or 5th listen I realised how much depth it actually has. Another SFA classic then, in my opinion - here's hoping one of the two on the way is the long lost techno record!"


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John Mulvey

Animal Collective's "Strawberry Jam"



I'm starting today with "Strawberry Jam", the new album by the Animal Collective, and it's quite a thing of joy. "For Reverend Green" is playing as I write (the Reverend Al, perhaps?), and it's pretty typical of the album (their seventh, perhaps). Over rippling noise and tribal patter, they lay a kind of kindergarten sing-song that has a passionate, ingenuous, euphoric quality. It's a pop song, born out of the avant-garde, and the Animal Collective are a pop group who've kept an experimental imperative. I love them.


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Editor's Letter

The 28th Uncut Playlist Of 2014


There's a song on this new Purling Hiss album, playing again now, that sounds more or less like "Debaser" played by Dinosaur Jr. Along with the intensely spirited debut by Mary Timony's Ex-Hex and a comp of the pre-...