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Post details: The 45th Uncut Playlist Of 2009

There are thousands of new CDs in the Uncut office, and John Mulvey is on a mission to find the good ones. Check Wild Mercury Sound every day for rash, ill thought-out, yet strangely trustworthy reports on the best forthcoming releases. From forthcoming blockbusters and choice reissues, to underground treasures - we hear them here first




The 45th Uncut Playlist Of 2009

2009-12-08 10:42:07

I’ve not been hugely interested in much of the end-of-the-decade stuff that’s been appearing over the past few weeks, but this piece by Simon Reynolds at the Guardian is worth a read.

Continued...

Without wanting to grotesquely oversimplyfy the argument, Reynolds’ premise is that more good music has been released in the past ten years than in previous decades, but less Great music. He suggests that it’d be easier to find 2,000 good records of the Noughties, but harder to identify 200 Great ones; 200 which achieve a certain kind of critical consensus. A couple of years ago, I suppose we’d be calling this The Long Tail

A fair bit of Reynolds’ recent writing has struck me as oddly gloomy, seeming to reflect a disappointment with where music is at the moment and – more pertinently to him, I suspect – where it might be going. As a consequence, he implies that the lack of Great albums is a problem.

As a more optimistic critic, though, and one generally unconcerned with continuum or whatever, the piece made me wonder: do we actually need these kind of Great, uniting records any more? With so much good music available – for free, potentially – should we crave a small, canonical selection of records which everyone, more or less, agrees upon, and play them again and again? Isn’t a wider choice of good things, tailored to your own specific tastes, more desirable?

It’s that glut of random good things which sustains blogs like this, I guess – and which may well frustrate critics (like Reynolds, and unlike me) who are preoccupied with identifying overarching narratives of musical development. Have a read, anyhow, and we can talk about it.

In the meantime, here’s this week’s clutch of goodish things. Haven’t mentioned this for a while, but following correspondence from one or two PRs, I probably should reiterate again that these playlists are just records we’ve played in the Uncut office, and aren’t necessarily things I actually like.

That said, there’s only a couple of things on this one that I wasn’t particularly keen on. Here we go…

1 Field Music – (Measure) (Memphis Industries)

2 The Next Uncut Free CD

3 Retribution Gospel Choir – 2 (Sub Pop)

4 Various Artists – Bob Blank: The Blank Generation, Blank Tapes NYC 1975-1985 (Strut)

5 A Load Of Albanian Folk Music (A CD-R From Mark’s Friend)

6 VoicesVoices – Flulyk Visions (http://www.myspace.com/wearevoicesvoices)

7 Smoke Fairies – Gastown (Third Man)

8 Jack Rose – Luck In The Valley (Thrill Jockey)

9 Steve Mason – All Come Down (Black Melody)

10 Ali Farka Touré & Toumani Diabaté – Ali & Toumani (World Circuit)

11 Shearwater – The Golden Archipelago (Matador)

12 Various Artists – Good God! Born Again Funk (Numero Group)

13 Various Artists – Dim Lights, Thick Smoke & Hillbilly Music: Country & Western Hit Parade 1954 (Bear Family)

14 Lonelady – Intuition (Warp)

15 Natural Snow Buildings – Shadow Kingdom (CD-R)

John Mulvey


Comments, Trackbacks:


Comment from: Pachuco Cadaver [Visitor]
Personally I think it's a good thing. Critics & fans consensus of music from the 60's and 70's especially is very narrow and there's rarely a surprise to be had in numerous lists that have been published recently. My favourite albums & songs change on a weekly basis & that's the way it should be. Music at it's best can be both a communal experience but also a very personal experience so by all means we should have albums that reach a certain consensus among a large group of fans (Arcade Fire, Fleet Foxes) but also albums that mean something to individuals (for what it's worth I think Climie Fisher's "Love Changes Everything" is one of the greatest pop songs ever written). This may make critics lists very fragmented but at least as a result it might throw up a few surprises. I may be way off here but I wonder is this the reason a lot of newly discovered lost classics from the 60's and 70's were ignored for so long. Artists such as Judee Sill, Bill Fay & Gary Higgins are examples of artists whose recorded output was re-issued after efforts by a select few dedicated fans as opposed to collective critical praise.
PermalinkPermalink 2009-12-08 @ 12:19
Comment from: Lex [Visitor]
Be interested to know your thoughts on Natural Snow Buildings John, as a distant fan of theirs this record left me somewhat empty - thank you for the eloquent memorium to Jack Rose, he will be sadly missed by many, many people, myself included.
PermalinkPermalink 2009-12-08 @ 12:22
Comment from: John Mulvey [Member]
A friend's recently hooked me up with a dozen or so Natural Snow Buildings things, and I think they're terrific actually. I'm working my way through them at the moment, and will write something eventually, but at the moment my favourite is "The Snowbringer's Cult".
PermalinkPermalink 2009-12-08 @ 12:25
Comment from: Lex [Visitor]
Ooh, I look forward to it. The solo work of the two is great Twinsistermoon (Hollow Mountain in particular) but my favourite NSB so far has to be 'Daughter Of Darkness' on Blackest Rainbow - 6 hours of cassette tape excellence
PermalinkPermalink 2009-12-08 @ 12:51
Comment from: John B [Visitor]
I'm liking the sound of a couple of the comps in your list John. The Hillbilly and Funk ones in particular. Also that Sub Pop release, a band or comp? I'll give that Simon Reynolds piece a read but I'm agree with your views on the matter. There have been great albums released in the past decade, and the last year, but maybe not a universal greatness. I'm sure millions will hold up the last Kings Of Leon album as being a true great but to my ears it's pretty naff and something like Sun Araws Heavy Deeds is my preference. Different strokes for different folks is how it should always be. If you know what I mean. Keep up the good work.
PermalinkPermalink 2009-12-09 @ 09:30
Comment from: Daniel Paton [Visitor]
I think I side with you on this one John, not least because there are numerous records now viewed to be classics that didn't achieve any sort of 'critical consensus' until well after their time. Also, for listeners like me who dip their toes into a wide variety of genres, the plethora of interesting music makes for a compulsive addiction to seeking out new sounds. I'm increasingly less and less interested in the canon, and my own albums of the decade are very different from the lists that have appeared in the press so far. The fact that you're able to find a good top 100 for 2009 (as am I) is great. I hope the Bill Fay album is being shipped in time for possible inclusion - I haven't received mine yet!
PermalinkPermalink 2009-12-10 @ 18:15
Comment from: Paul Holmes [Visitor]
I saw the RGC supporting the mighty Bob Mould this very week, and enjiyed their lift to Experience-stylee blasted desert rock very much - my only caveta would be certain songs were stretched to such unwieldy lengths that even Neil Young would've had a crafty glimpse at his Swatch and shook his head. Are the songs on the album of a similar epically ear-baiting 10-min-plus duration?
PermalinkPermalink 2009-12-10 @ 18:37
Comment from: John Mulvey [Member]
Bill called last week, briefly, Daniel, and it sounds like the album is unlikely to ship this side of Christmas. So chalk that one down for 2010.
The RGC would be more fun, for me at least, if they dragged the jams on for ten minutes; most of them are cut relatively tight on the CD.
PermalinkPermalink 2009-12-10 @ 19:11
Comment from: Daniel Paton [Visitor]
Thanks for the info from Bill John, much appreciated - it still says mid-December on the Durtro website!
PermalinkPermalink 2009-12-11 @ 10:28

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