It's a very risky manoeuvre to pull off successfully -- that is, graduating from TV to the movies, from the relatively parochial world of the Channel 4 sitcom to the bright and shiny universe of multiplexes, ancilliary revenue streams and premiers at Leicester Square.


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I've always been resistant to the notion that horror movies can in some way function as biting social comment.


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OK, so the damage limitation process is well under way. I’ve just received this email: “The Weinstein Co. today announced that Quentin Tarantino and Robert Rodriguez’s highly anticipated Grindhouse double bill will be released as two separate movies in the UK.

Tarantino’s Death Proof will be released via Momentum Pictures/Dimension Films on September 21 with Robert Rodriguez’s Planet Terror released at a later date to be confirmed shortly.”


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Coming from the same creative team behind the first two Spider-Man movies -- headed by director Sam Raimi -- the big question hanging over part 3 is: what the hell went wrong? Spider-Man 3 seems to have been willed into existence by the combined efforts of marketing departments, merchandise divisions and third-party licencees. The result is soulless and witless, a sequel too far.


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Coming in to work this morning and checking this weekend's US box office for Tarantino's Grindhouse made for a pretty grim start to the day.


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The opening weekend takings in America for Tarantino's new film, Grindhouse, were, frankly, a disaster of Krakatoa-eque proportions. It only took a measly $11 million – less than half the sum forecast by the film’s studio, the Weinstein Company.


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Last night, I went to see the first 25 minutes of 28 Weeks Later – the follow-up to Danny Boyle’s British zombie film, 28 Days Later.


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The big film this week is 300, director Zack Snyder’s gory and rabid retelling of the battle of Thermopylae, where 300 brave Spartan soldiers faced down the massed ranks of the mighty Persian Empire in 480BC.


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Hi there, and welcome to the first of UNCUT.co.uk’s weekly film blogs. Every Friday I’ll be looking at the latest films opening at the cinema, getting released on DVD, and...


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Editor's Letter

The 34th Uncut Playlist Of 2014


Thanks for all the nice feedback about the Liam Hayes/Plush piece I wrote earlier in the week. Lots of other good new arrivals in the list here, and you could do worse...