Here's some lists compiled by the UNCUT collective here at Latitude.


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We are, of course, victims to the capricious whims of fate – particularly in relation to the wind and the tricksy way it displaces sound at festivals. You might, for instance, find yourself bewitched by some contemporary ballet going on down by the lake, only for the mournful hymns of a lone cellist who’s soundtracking the dance to be rudely drowned out by some shouty indie band on a nearby stage.


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Our man in the battered cowboy hat, Terry Staunton, has been out earwigging on festival goers conversations. Here's his latest report from the frontline of Latitude...


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So it's official, then. The song of choice for nocturnal dancing shenanigans is Queen's "Don't Stop Me Now", which I've heard something like six times at various locations over the last two nights. Last night, it was at the Lake Stage, courtesy of My Ex Boyfriends' Records, and then in the Sunrise Arena, being played by the chaps at Feeling Gloomy. I assume Sean Rowley also played it, over at Guilty Pleasures, but to be honest I didn't make it that far out into the site last night. And anyway, there was a Bugsy Malone theme at Guilty Pleasures, and I clean forgot to bring my spats with me.


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Since you were asking, here's some competitive prices from various food retailers:


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Once again, we've been ear-wigging for words of wisdom from Latitude's great unwashed...


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"I had a dog. He died about a year ago. His name was Boss. This is for my dog. I miss my dog."


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While John seems to have found his Latitude highlight, I've got to say I've found mine, too. Nicholas Parsons, come on down. Oh, and Sheffield's finest enjoy a Man Balancing Ball On His Head race down at the lake.


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Guest blogger Terry Staunton has been eavesdropping on the conversations of others to discover just what Latitude punters are talking about...


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So, as ever with Latitude, there's as much fun to be had after the official events of the day have wound down...


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Editor's Letter

White Fence, OOIOO, Ty Segall, other stuff...


One of the many privileges and occasional disorientations of working for a monthly music mag is that we hear some music so far ahead of release that it can be easy to forget when the albums actually come out. So while the world of Ty Segall-related projects might have moved on...