Damon Albarn, being something of a native as he hails from nearby Colchester, closes tonight's set by The Good, The Bad & The Queen by displaying his intimate knowledge of the A12. It's perhaps not the most rock 'n' roll way to end a festival, but then The Good, The Bad & The Queen aren't necessarily going to play by the rules.
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Ah, so this is art rock, Latitude style. Sad to report, it does nothing very much for me. But I guess it's always going to be hard to follow the Hold Steady.
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Something of a full afternoon, I have to report. So busy, in fact, I've only just got round to my first beer of the day. But, happily, I also had my first Latitude highlight: Bat For Lashes.
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Or, what I did this morning at Latitude. Despite feeling relatively delicate today (ah, bless the pear cider), a gentle stroll round the Latitude site does wonders for the constitution.
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Or the stuff that happens after dark. I'm reporting on Latitude's nocturnal shenanigans, the prime focus of which is Sean Rowley and his Guilty Pleasures empire.
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Making our way into the depths of the woods, to the Sunrise Arena, we half expected to be assaulted by a Jack o' the Green, or some ancient, primal force of nature.
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Just got on site for my second year at Latitude. In some ways, not much has changed -- there's the familiar stroll down through the woods, passed the coloured sheep and over the lake -- but the crowd seems a lot younger this year.
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The directorial debut of photographer Anton Corbijn, who moved to the UK from Holland to shoot Joy Division in 1979, is a moving tribute to Ian Curtis, but suffers from Corbijn’s proximity to the material.
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As the sun sinks slowly into the west, we bid you a fond farewell from Knowsley Hall.
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Our fearless Picture Editor May Starey has been out shooting the great unwashed. Here's a selection of her best pictures...
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