Well, maybe not quite a bonanza as such, but as we're now embedding videos at The View From Here, I thought it might be a neat idea to start running a regular round up of some of our favourite movie trailers. It might certainly help pass a few minutes while you're waiting to go to the pub.


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Still somewhat giddy with yesterday's technological breakthroughs in terms of embedding videos and joining the Twittering masses (you'd think we were devising groundbreaking new techniques for nanosurgery here, rather than blogging), I thought I'd take the opportunity to post the trailer for one of the most anticipated movies in our world.


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Some news that, we hope, will put a bounce in your Wednesday afternoon.


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“I’ve been thinking a lot about dying recently,” says Philip Seymour Hoffman’s neurotic theatre director Caden Cotard early on. And, certainly, you could be forgiven for thinking that the odds were stacked against him. Within the first half hour of Synecdoche, New York, there are enough portents of doom lurking around you’d think you were watching a tragedy, were it all not so funny.


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Here in Berlin, the annual film festival is gearing up for its closing weekend. But although the presence of Kate Winslet, Michelle Pfieffer, Keanu Reeves, Clive Owen and Demi Moore may have attracted the kind of flashbulb frenzy usually associated with more bling-heavy festivals like Cannes, few of the movie premieres here managed to generate the same level of excitement.


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“You sound like a fucking Nazi Julie Andrews!” Considering the grim fate that traditionally awaits many British sitcoms when they transfer to the big screen, you might be pleased to learn that In The Loop – essentially, The Thick Of It: The Movie – has successfully dodged a bullet. More, the cast of Machiavellian spin doctors, useless government ministers and their equally hopeless advisors have successfully been transplanted across the Atlantic, where they come face to face with what amounts to their American counterparts. But, of course, some things remain reassuringly familiar: the swearing is top notch.


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You might assume that Encounters At The End Of The World could be an agreeably apposite subtitle for many of Werner Herzog’s best known films. You could think, for instance, of Brian Sweeney Fitzgerald taking Verdi’s music to the Peruvian jungles in Fitzcarraldo; the Conquistadors lost in the Andes in Aguirre: The Wrath Of God; Grizzly Man’s activist Timothy Treadwell and his bears in the wilds of Alaska.


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Here's the list of nominations in the key categories for this year's Academy Awards...


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From this year's Sundance Film Festival in snowy Utah, here's our verdict on The Doors documentary, When You're Strange, from Living In Oblivion director Tom DiCillo.


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I happened to be at Chalk Farm tube yesterday, waiting for a train. As a bus user, I’m always curious to see what kind of ad campaigns studios are running on the underground for their current releases. At the moment, as a right-thinking film fan, you might be in a state of near-priapic delight at the wealth of prestige movies in cinemas. There’s posters up for The Wrestler, Slumdog Millionaire, The Reader, Milk and Frost/Nixon, breathlessly described with attention-grabbing quotes like “the feel-good film of the decade”, or “a contender for Best Picture”. It is, of course, January, and rather shamelessly the studios are chucking out their high-calibre movies as we pile headlong into Awards season.


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"Kiss Tomorrow Goodbye": Cosimo Matassa 1926-2014


Among my post last week, I received a nice care package from Ace Records that included one quite weird Duke Ellington album ("My People"); Volume 3 of their "Where Country Meets Soul" series (I cannot recommend Ralph ''Soul'' Jackson's version of ''Jambalaya'' highly enough); and, maybe best of...