For our end of year issue, I wrote a cover story about Neil Young's 2014. Among the many people I interviewed was Crazy Horse guitarist, Poncho Sampedro, who's been playing with Neil for 40 years. I thought it might be nice to share the full transcript - it's over 6,000 words long, and covers a lot of ground. We started off talking about the current state of Billy Talbot's health, the Crazy Horse bassist who'd suffered a minor stroke earlier in the year. For the record, our interview took place on November 3, 2014; a few days before the death of bassist Rick Rosas, who'd deputised for Talbot during the band's 2014 tour dates.


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Amazing scenes in the Uncut office last week, when Bob Dylan finally announced Shadows In The Night - his latest studio album featuring interpretations of Frank Sinatra standards.


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Interesting news last week in the Los Angeles Times, which reported that the Los Angeles apartment occupied by Elliot Gould’s Philip Marlowe in Robert Altman's great 1973 film The Long Goodbye is now available for rent. One bedroom, one bathroom, private parking, hardwood floors and a terrace, with access via a private elevator, it can be yours for around £1,790 a month. Serendipitously, Altman’s The Long Goodbye has been rattling round my head for a few weeks now, since I saw Paul Thomas Anderson’s new film, Inherent Vice.


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I reviewed The Velvet Underground: 45th Anniversary Super Deluxe Edition for new issue of Uncut. It's a comprehensive, six-disc set compiling the band's third album in an assortment of mixes, plus 1969 demos and a live recording from The Matrix in San Francisco. Of course, it marks the first album the band recorded after John Cale had left, with Doug Yule assuming bass and (some) vocal duties. I was fortunate enough to speak to both Yule and Mo Tucker for a Q&A to accompany my review.


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With a new Happy Mondays biography just out, I thought I'd post my 2007 encounter with Shaun Ryder.


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Following this morning's momentous news of Ride's return to active service, I thought I'd dig out this piece I wrote for Uncut in 2011.


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A couple of press releases appeared in my inbox over the last few days, both announcing the surprising return of two increasingly elusive filmmakers.


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The cosmology of Christopher Nolan's new film, Interstellar, offers an instructive analogy for the career of the director himself.


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I had the good fortune to speak to Ry Cooder for the issue of Uncut that's just come off sale (quick plug: you can read all about the new issue here).


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On the morning of July 29, 1966 Bob Dylan became distracted while out riding his Triumph motorbike. Writing about the incident later in Chronicles Volume 1, Dylan rather gnomically recalled, “I had been in a motorcycle accident and I’d been hurt, but I recovered.” Of course, there is more to Dylan’s accident than that. After a period of retreat and convalescence at his Woodstock home, he began recording songs with his touring band, Robbie Robertson, Garth Hudson, Rick Danko, Richard Manuel and Levon Helm.


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Editor's Letter

D'Angelo's "Black Messiah": some first thoughts


When Thom Yorke sneaked out his new solo album a few months back, I managed to hold out for 66 hours before writing a review of "Tomorrow's Modern Boxes". Since waking up...