Emotional times, as this is Allan’s last day as editor of Uncut. Before we get down to that, though, here are the records we’ve been playing in the office this week.


Read More >>

A new office this week, although a good few crates remain. These, though, are the tunes that’ve sensitively assisted our transition. Special props to Bob Carpenter’s rediscovered album from ’74, very much kin to “No Other”; to the Mauritanian desert rock of Noura Mint Seymali; to the reissue of an old Imaginary Softwoods ambient set from John Elliott, ex of Emeralds; and to the enduring usefulness of Pye Corner Audio and Girma Yifrashewa.


Read More >>

Scene of some devastation this morning, as we’re surrounded by crates, packing for a move to new offices on the floor below. In haste, then: this has been the soundtrack for throwing out a load of old shit these past few days. Special attention, please, to the tremendous new Pye Corner Audio business…


Read More >>

Sometimes great songs fall by the wayside, for whatever reason, and over the past year or so it’s felt that Hiss Golden Messenger’s “Brother, Do You Know the Road?” might unfortunately be one of those.


Read More >>

So much good here this time out, after missing a playlist last week for various reasons. Where to start?


Read More >>

A month or so back, I sent Lee Bains III a few questions for a Q&A to run alongside my review of the Glory Fires’ “Dereconstructed” in Uncut. Bains’ answers turned out to be more thoughtful, interesting and extensive than pretty much any email interview I’ve previously conducted, so I’m pleased to run them in their entirety here…


Read More >>

About ten years ago, I had a series of conversations with some people preparing a new edition of Harry Smith’s Anthology Of American Music. Their aim, it seemed, was to take the 84 tracks originally compiled from Smith’s collection of 78s, and subject them to a vigorous digital clean-up. How much better would these songs sound, was their reasoning, if all the grit and static was removed, leaving the performances unsullied and sharp?


Read More >>

Beyond the Ebay landfill mountains of luminous “Ghostbusters” singles, there were a weird few days this week when it seemed as if no-one had actually located a copy of Neil Young’s “A Letter Home” on Record Store Day. After everything, did it actually exist? Had Neil, in his current capricious mood, personally had it removed it from the stockrooms of record stores on Friday night?


Read More >>

One of the books I’ve enjoyed most in the past couple of years is “Pulphead”, a collection of John Jeremiah Sullivan’s longform, creative and not always entirely reliable journalism.


Read More >>

Bit of a rush in the face of deadlines this morning, but a strange list – not all of it recommended, really – with a notable discovery in Mike Cooper, whose early ‘70s albums work well as companion pieces to those of Michael Chapman. Anyone who knows his work, and knows more, drop me a line.


Read More >>

Newsletter


Editor's Letter

The Father, The Sun And The Holy Ghost… An interview with Hiss Golden Messenger


One bright Sunday morning, MC Taylor is driving through his patch of North Carolina, past New Hope Creek and the Eno River, over the Chatham County Line and the James Taylor Bridge in Chapel Hill, near the Haw River and the valley that he has meditated upon in song these past few years. Through...