Maybe not as much here as some weeks, thanks I guess to the Daft Punk loop that I’ve been playing for at least an hour a day. Try it…


Read More >>

Swiftly this week, as I have a heap of proofs to read for the next Uncut Ultimate Music Guide (the subject this time is The Smiths and Morrissey, hence the appearance of “Hatful Of Hollow” below).


Read More >>

A recording of Kraftwerk’s “Trans-Europe Express” night at the Tate Modern seems to have fallen off the back of the internet this morning: genuinely not sure where one of my colleagues found it, before you ask.


Read More >>

Until very recently, any mention of Bell Laboratories in conjunction with electronic music would’ve made me think of Laurie Spiegel, who worked at Bell Labs research centre in New Jersey while she was creating much of her extraordinary cosmic music in the 1970s.


Read More >>

Lots going on here, not least the fact that I have to write a long review of the mostly amazing Kraftwerk show that I saw next door at the Tate Modern the other night.


Read More >>

An unintended consequence of the My Bloody Valentine release: plenty of plays this week for “Straight Outta Compton”, following directly after “m b v” in my iTunes library. As you can see, though, it’s been an amazing few days for new music, and consequently I’ve added plenty of links so you can hear Mikal Cronin, Library Of Sands (to recap: Naynay Shineywater from Brightblack Morning Light), Jennie O (produced by Jonathan Wilson), and Retribution Gospel Choir’s amazing “Seven” (featuring Nels Cline, and especially recommended to fans of “Psychedelic Pill”).


Read More >>

Just before starting to write this morning, I spent a while digging around for the old office ghettoblaster, computer-connecting technology having failed us in our attempts to play a new EP that turned up yesterday in cassette form. The EP forms part of the capricious launch strategy of Library Of Sands, a new project from a mesa-dwelling outlier called Naynay Shineywater, who used to front Brightblack Morning Light.


Read More >>

Last night, it was all about anticipation. First, the rumours started circulating that Michael Gove was implicated in some job-threatening scandal, only for those rumours to reach a resounding anti-climax, as The Observer’s story was revealed to be a little spat between a couple of hacks and some unsavoury Tory operatives.


Read More >>

Today’s looking like it might shape up as Stephen Stills day: as I write, we’re on track 16 (“Helplessly Hoping”) of his new career boxset, with 60-odd more to come.


Read More >>

Reading a little about the whole Beyoncé lipsynching controversy the other day, I was tangentially reminded of an interview I did with Jim O’Rourke in, I think, 1999 (bear with me…).


Read More >>

Newsletter


Editor's Letter

The return of The Aphex Twin, and Caustic Window


Last year, Warp Records embarked on a campaign for Boards Of Canada's "Tomorrow's Harvest" comeback that was notable for its obtuseness. Unmarked 12-inches were hidden in record stores, strings of numbers and inexplicable broadcasts were strewn enigmatically across the internet. At one point, I...