Since I blogged about the Espers live gig last Friday, I've been playing the Meg Baird solo album to death.


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I wasn't planning to blog today, since I expected Steve's third report from Coachella to turn up here. But thanks to his fairly quixotic posting strategy, he appears to have turned up on Allan's blog. He's right, of course: I do like Grizzly Bear.


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Still waiting for that Phil Collins fan to post a defence of his hero. But in the meantime, Paul Holmes has joined in bashing "Tory Frog Prince Collins". "One half-decent Genesis tune, some so-so work on a John Martyn record and a clutch of Sunny D Motown rip-offs doth not a canon make," he writes. Fair point. Thanks also to Chads, who responded to our talk of Bill Fay the other day by mentioning Simon Finn, another neglected, quasi-mystic British singer-songwriter from the early '70s who, like Fay, was redicovered by Current 93's David Tibet. I must dig out his "Pass The Distance" album, which I haven't played in ages, though I seem to remember some of it being a bit quirky for my taste.


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Thanks for your latest bunch of messages, especially the people who said kind things about my David Ackles blog the other day. Good to see more love for Bill Fay, too: we were playing his first album the other day. "Everyone should love David Ackles - just like everyone shoud love Bill Fay," writes Baptiste. "It takes time for writers like them to get some kind of public acknowledgement. I mean: why? Is Bill Fay's "Be Not So Fearful" such a difficult song? Is "Down River" a 30 minutes white noise jam?


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A few nice things arrived in the Uncut office today. One was a big compilation of Finnish psychedelic music from the late '60s and early '70s, which I can't wait to investigate properly. The second was another lavish raid on the Elektra catalogue, this time a 2CD set called "There Is A River" which collects the first three albums (plus outtakes) of David Ackles.


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I blogged about the new Richard Thompson album here a couple of weeks ago, but I've still been playing it a lot, not least because I had a quick chat with Thompson on the phone last Friday.


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First off, thanks to Red 157 for spotting the stupid error in the Queens Of The Stone Age piece I posted here yesterday. It was of course Josh Homme and not Mark Lanegan who sang the original version of "I Wanna Make It Wit Chu" on "Desert Sessions 9&10" - something I would have got right if I'd bothered to check my original review of that album. Apologies.


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I'm not sure we should be giving any more publicity to the bizarre media phenomenon that is Sharon Osbourne, but I couldn't resist starting today with this quote from her about Josh Homme. Homme, it seems, had the temerity to criticise Ozzfest. In response, Osbourne told Blender, "I hope he gets syphilis and dies. I hope his dick fuckin' falls off so his mother can eat it."


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I've just been reading through your comments again. Thanks for all of them: I really like it when Wild Mercury Sound starts to resemble a sort of forum, when we can swap tips and enthusiasms and also, of course, pick on Killers fans. Particularly taken with Lauren's eloquent post, not least because of the nice things she says about Uncut. "You are tripping if you think the Killers are more likely to make an impact on the hearts and minds of people than the Arctic Monkeys are," she writes in response to a post by Mitch.


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A grim struggle to the death on the blogs between American and British music again today, though it seems America's interests are being defended primarily by an Estonian. Meanwhile, here, the reliably lucid Glory asks whether my taste "is more geared towards American styles of music (eg Americana) or because you think American artists are generally more talented than British artists?"


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The 31st Uncut Playlist Of 2014


Some logical excitement here this week about the impending Leonard Cohen and Aphex Twin albums; in the event you've missed it these past couple of days, you can hear Cohen's superb "Almost Like The Blues" further down this blog.

Worth noting, though, some strong...