Recently, there seems to have been something of a Krautrock revival, comparable to that time in the early ‘90s when Stereolab, Tortoise and sundry putative post-rockers were assiduously cribbing their old Neu! albums. The appearance of a neat Harmonia live CD, that I blogged about some weeks ago, has been followed by a bunch of very nice records in much the same burbling, kosmische vein.


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Looks like I'm going to be resorting to a few playlists rather than full blogs this week. An exciting combination of deadlines and emergency dental work, and the distraction this afternoon of a man in a very good gorilla suit running around the office (blame NME) mean I haven't much time at the moment. But I'm still simultaneously working my way through the pile of new CDs that amassed while I was on vacation. Here, then, is what we've played thus far today:


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Nice to see on the responses to my comeback blog that a few of you are sharing the love for the Ethiopiques comps. The Yegelle Tezeta and Girma Beyene tracks mentioned by Citizensound and Tunetourist aren’t on the "Very Best Of Ethiopiques" set, but thanks for the recommendations for Volumes 8 and 9.


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There's a lot of static in the ether, as you may have detected, about the likelihood of a Led Zeppelin reunion sometime this autumn. That'd be nice, of course. But as I was listening to the new Robert Plant album for the first time this morning, it struck me: why would he bother going back there, when he's making records as good as this right now?


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Apologies for the deadly silence over here these past two weeks. We haven't run out out of good music worth writing about, of course: the good CDs kept turning up, it's just that I wasn't in the office to play them.


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I was maybe halfway through the entirely improvised new live album by Ghost, when it occurred to me that I might have been fixating on the new psych/folk/freak jams a bit much this past week or so. It was then that I turned to the new album by Beirut, as I have done for the past two or three weeks when I feel the need for tunes, of all things.


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Around the turn of the decade, I used to go and see a Brooklyn band called Les Savy Fav every time they played London. They were a fantastic night out. The singer, Tim Harrington, occasionally behaved like a cross between Iggy Pop, Salvador Dali and Captain Birdseye.


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These seem to be quite popular, so here are the fairly eclectic records we've played in the Uncut office today. Unlike last week's rundown, I think we're broadly behind all of this lot. . .


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I could be mistaken about this, but there's a point in this really fine Six Organs Of Admittance show when Ben Chasny and his new foil, Elisa Ambrogio, appear to be whispering sweet nothings to each other. Then the hushed, gentle duet becomes clearer. "They may even eat the horse that you're riding," they're singing.


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As I've mentioned before here, the marketing department next door aren't too fond of the primordial swamp jams that come out of the New Weird America, and for the past couple of weeks they've been particularly aggravated by the new album by Sunburned Hand Of The Man.


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Editor's Letter

Inside the new Uncut...


Vile day here in London, improved to some degree I'd hope by the arrival in UK shops of the new edition of Uncut. It has Nick Drake on the cover, as you probably know if you're a subscriber and your copy arrived over the weekend.

It's the first time that Drake has appeared on our cover,...