There's less of the pushchairs and families at this year’s Latitude, but the site seems busier than ever - enough people to give Broken Records a pretty large crowd on the main Obelisk Arena stage.


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Banjo Or Freakout open the last of Uncut's nights at The Great Escape, perhaps the weirdest line-up of the weekend, with a pretty uncompromising set.


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If last night was loosely the folk night of Club Uncut’s Great Escape bill, this is probably the ‘rock’ or ‘psych’ night.


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Club Uncut is back at The Great Escape, and this year proceedings are taking place in the civilised surroundings of the Pavilion Theatre.


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This month's Club Uncut openers, Sparrow And The Workshop, are an interesting beast - a Scottish folk trio on mainly acoustic instruments, there's a real violent attack to their sound.


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We're changing venues tonight – instead of the Pressure Point Uncut have moved to the beautiful Spiegeltent, kind of a cross between a circus tent and a mirrored boudoir. Aside from the creaking wooden floors, it's perfect.


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Tonight is the second night of The Great Escape festival and, of course, the second night of Uncut's selection of bands at the Pressure Point, tonight featuring Edinburgh's Broken Records and Brooklyn boys Yeasayer.


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Wandering round Brighton on my way to see our Uncut night at The Great Escape Festival, it was surprising to see that the humble Pressure Point, our home for the next few days, seemed to have the biggest queue of any venue at that time. No doubt this was because of the opening act, a certain Justin Vernon, aka Bon Iver.


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Put on partly to raise awareness of the dangers of racist political parties in the run-up to London's elections this week and partly to celebrate the 30th anniversary of the original Rock Against Racism festival, the Love Music Hate Racism Carnival has got a lot to live up to.


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First nights are never what they’re cracked up to be, right? You’re always worrying what’s going to go wrong, and if enough people will turn up – after all, it’s the night before Good Friday. We needn't have worried, though.


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Editor's Letter

White Fence, OOIOO, Ty Segall, other stuff...


One of the many privileges and occasional disorientations of working for a monthly music mag is that we hear some music so far ahead of release that it can be easy to forget when the albums actually come out. So while the world of Ty Segall-related projects might have moved on...