It's good to see the UNCUT Arena pretty much rammed by the time Cherry Ghost come on, just after 3pm, a lot of interest being show to this Lancashire five-piece.


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OK, so far today I've caught some fine comedy from Phill Jupitus, and been dragged by Farah towards a showgirl workshop in the Cabaret Tent. Oh, and earlier this morning I bumped into a bloke called Danny Kerwin.


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Last night, we went feral in the woods. It’s not often you see your editor at a rave, and a rave in the woods at that, but last night UNCUT’s Allan Jones was getting down with the kids to all manner of dub-step and breakbeat classics. And he didn’t even mention Nick Lowe until 2.40 in the morning.


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Damon Albarn, being something of a native as he hails from nearby Colchester, closes tonight's set by The Good, The Bad & The Queen by displaying his intimate knowledge of the A12. It's perhaps not the most rock 'n' roll way to end a festival, but then The Good, The Bad & The Queen aren't necessarily going to play by the rules.


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Ah, so this is art rock, Latitude style. Sad to report, it does nothing very much for me. But I guess it's always going to be hard to follow the Hold Steady.


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Something of a full afternoon, I have to report. So busy, in fact, I've only just got round to my first beer of the day. But, happily, I also had my first Latitude highlight: Bat For Lashes.


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Or, what I did this morning at Latitude. Despite feeling relatively delicate today (ah, bless the pear cider), a gentle stroll round the Latitude site does wonders for the constitution.


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Or the stuff that happens after dark. I'm reporting on Latitude's nocturnal shenanigans, the prime focus of which is Sean Rowley and his Guilty Pleasures empire.


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Making our way into the depths of the woods, to the Sunrise Arena, we half expected to be assaulted by a Jack o' the Green, or some ancient, primal force of nature.


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Just got on site for my second year at Latitude. In some ways, not much has changed -- there's the familiar stroll down through the woods, passed the coloured sheep and over the lake -- but the crowd seems a lot younger this year.


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Editor's Letter

The 31st Uncut Playlist Of 2014


Some logical excitement here this week about the impending Leonard Cohen and Aphex Twin albums; in the event you've missed it these past couple of days, you can hear Cohen's superb "Almost Like The Blues" further down this blog.

Worth noting, though, some strong...