As some of you might possibly know, Bob Dylan turns 73 today. What a great excuse, then, to revisit some great Youtube clips of Bob in action...


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Like everything else, Noel Gallagher had an opinion about debut albums. “Definitely Maybe was the young, eager, wanting to get out there and fucking blow the world away album,” he told Uncut in 2000. As Gallagher claimed on many occasions, he’d been strategising a debut album, in whatever form, since his teenage years. With such apparent forethought, it’s no wonder that when Definitely Maybe appeared in August, 1994 it redrew the parameters of indie rock, filling a void left by The Stone Roses and gave Alan McGee’s Creation Records a world-class act.


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Dennis Hopper would have been 78 tomorrow (May 17). That seemed like a good reason to dust down this piece I wrote on the making of The Last Movie, Hopper's legendarily unhinged follow-up to Easy Rider.


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Yesterday was bookended by a pair of unexpected releases. In the morning, Morrissey unveiled his first new studio material in almost five years, then just as we were packing up for the day, a new track appeared without fanfare on Bob Dylan’s website. Admittedly, we had been expecting some new music from Morrissey; Dylan, however, caught us entirely by surprise, and not for the first time...


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It's been a busy few days for fans of Wes Anderson.


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Damon Albarn is a man of many guises, and it seems he also has an outfit to match them all. In his role as Blur frontman, he consistently favoured Fred Perry tops and oxblood Doc Martens. As a member of Gorillaz, he even went as far as to adopt an entirely different persona – the spiky-haired animated singer 2D (real name: Stuart Tusspot). For The Good, The Bad And The Queen, he favoured a Two Tone-style dark suit and a low top hat, and for his reimagining of the life of Elizabethan mystic John Dee, he went as far as to grow a beard. Tonight, he arrives on stage wearing a simple suit and tie and a pair of desert boots.


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There is something to be said for the shoe-string budget movie. Recent films like Locke (Tom Hardy having a meltdown while travelling in a car from Birmingham to London) proved to be a refreshing and inventive corrective to the seasonal trudge of blockbusters. Blue Ruin is a similarly impressive low-budget affair, showcasing two emergent talents: writer/director Jeremy Saulnier and lead actor Macon Blair.


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“I’ve been rather like a cat,” Harry Dean Stanton told Uncut in 2002. “I’m finicky and I’ve done a lot of things, and made career choices, missed meetings and so forth that would have made me a much bigger actor, I think. But, by the same token, that would have demanded more of my time, too.”


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In the opening voiceover for their debut, Blood Simple, the Coen brothers established the methodology that has driven their films ever since: “I don’t care if you’re the pope of Rome, president of the United States, man of the year, something can always go wrong.”


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Four years on from the death of his creator Chris Sievey, Frank Sidebottom has finally found the international platform that eluded him during Sievey's lifetime.


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Editor's Letter

The 46th (And Last) Playlist Of 2014


Sorry I didn't manage to post a playlist last week; a combination of germs, deadlines and various other professional/seasonal distractions meant that I ran out of time.

Here, though, is our last office list of 2014, with lots of strong new entries. A few highlights...