Anyway, I arrange to meet a friend down at the Obelisk stage to catch Broken Music, who she’s recently seen playing to about four people in Manchester but thinks will be worth having another look at.


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I remarked yesterday of the rather neat symmetry that took me to Fever Ray and Bat For Lashes. Well, something similar has happened again this evening. This time, it’s White Lies and Doves, who followed each other at the Obelisk Arena and who both, in admittedly different ways, are exponents on a similar style of music.


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Here's some random lists of things we've seen while out and about on site, assembled by the UNCUT Latitude work team. That's us.


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Predictably, perhaps, the afternoon’s biggest draw – so far, at least – is for Simon Armitage. At 2pm, the Poetry Tent is rammed, with the crowd extending about 20 people deep around the perimeter. One curious passer-by asks my neighbour who’s on.
“Simon Armitage,” says the guy standing next to me.
“Sorry,” says the passer-by, “I don’t know who he is.”
“He’s only the most important poet since Andrew Motion.”
“You’ve lost me. Who’s Andrew Motion?”
“Obviously,” comes the withering reply, “you never studied GSCE English at the start of the Noughties…”


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It’s an early start for everyone today, so not long after what seems like daybreak I am making my way down the leafy trail to the Uncut Arena to see Wildbirds And Peacedrums, about whom a I know as much as I do the internal working of the combustion engine. On my unsteady way, I notice a sign someone’s pinned to a tree that say I LOVE YOU MORE THAN MY RECORD COLLECTION, a declaration of affection so passionate it must be an exaggeration.


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We've been ear-wigging on your behalf again, to bring you sagest, most insightful snippets of overheard conversations. Behold, the latest musings from Latitude's fields of philosophers.


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An early Saturday highlight, for me at any rate, is Band Of Skulls, playing in the Sunrise Arena down in the woods. Such a bucolic setting might seem entirely incongruous for a band who specialize in sinewy, blues rock. And at such an early hour, too, when most people are still digesting their breakfasts. Yet, amazingly, it works.


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Friday’s highlights, then.


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Hey, just a quick one as I’m on a timetable to get to Bat For Lashes in about 25 minutes, but I’ve just got back from seeing Jeremy Hardy in the Literary Arena, and wanted to get something up online sooner rather than later.


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“You’re a good-looking audience,” says Chrissie Hynde, before launching into “Back On The Chain Gang”. “Just what I’d expect. This is for your dad.”
It is perhaps interesting to note that a lot of Hynde’s between song banter this evening is predicated around mostly wry, self-deprecating references to her past. She dedicates “Kid”, for instance, to late band members Pete Farndon and Jimmy Honeyman-Scott, finishing with “Put the kettle on, we’re not far behind you.” It is, you might think, particularly apt then that The Pretenders choose to cover Dylan’s “Forever Young”.


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Editor's Letter

The new Uncut revealed! Arctic Monkeys, Neil Young, Kate Bush and Warren Zevon in new issue


Next month, Arctic Monkeys play two shows at London’s Finsbury Park to more than 100,000 people, which makes it a reasonable moment to look back at the band’s journey from the Sheffield suburb of High Green to their current all-conquering place in a rock pantheon where they are...