On the generally acclaimed Let England Shake, Harvey gave her music a bony, volkish edge, flaying it back to strummed autoharp, electric guitar and crude drums, mongrelising it with awkwardy intrusive sampling of Middle Eastern singers, dub interjections and huntsmen’s horns. Seamus Murphy’s cinematography complements this approach perfectly: not storyboarded, but collaged from various journeys around the island made during 2011, from the remotest hedgerows to the heart of London.


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Psychological, cult-escapee drama...


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Sir Paul’s romantic, (and loving) take on standards...


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The birth of the hippy dream, caught on camera...


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Pitch black comedy from the team behind Juno...


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Black America’s militant years, captured on rediscovered Swedish documentaries. Right on!


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HBO's handsome, if flawed, Prohibition era crime drama...


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Collection of covers of Bob songs; some good, some not so good.


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A fine digest of Calexico in a handsome, limited edition box set...


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Cameron Crowe's feature length documentary celebrates the grunge legends...


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Editor's Letter

The Father, The Sun And The Holy Ghost… An interview with Hiss Golden Messenger


One bright Sunday morning, MC Taylor is driving through his patch of North Carolina, past New Hope Creek and the Eno River, over the Chatham County Line and the James Taylor Bridge in Chapel Hill, near the Haw River and the valley that he has meditated upon in song these past few years. Through...