The Canadian went looking for a new producer. What she found, on her fourth album, was love.


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Their unsavoury reputation precedes them, but the photo of Throbbing Gristle on the sleeve of Greatest Hits (1981; 7/10) reminds us there was more to the first Industrial group – their capital letter – than first appeared.


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All-star cap-doffer to one of the uncrowned kings of American roots...


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On the generally acclaimed Let England Shake, Harvey gave her music a bony, volkish edge, flaying it back to strummed autoharp, electric guitar and crude drums, mongrelising it with awkwardy intrusive sampling of Middle Eastern singers, dub interjections and huntsmen’s horns. Seamus Murphy’s cinematography complements this approach perfectly: not storyboarded, but collaged from various journeys around the island made during 2011, from the remotest hedgerows to the heart of London.


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Psychological, cult-escapee drama...


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Sir Paul’s romantic, (and loving) take on standards...


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The birth of the hippy dream, caught on camera...


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Pitch black comedy from the team behind Juno...


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Black America’s militant years, captured on rediscovered Swedish documentaries. Right on!


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HBO's handsome, if flawed, Prohibition era crime drama...


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Editor's Letter

The return of The Aphex Twin, and Caustic Window


Last year, Warp Records embarked on a campaign for Boards Of Canada's "Tomorrow's Harvest" comeback that was notable for its obtuseness. Unmarked 12-inches were hidden in record stores, strings of numbers and inexplicable broadcasts were strewn enigmatically across the internet. At one point, I...