In the opening voiceover for their debut, Blood Simple, the Coen brothers established the methodology that has driven their films ever since: “I don’t care if you’re the pope of Rome, president of the United States, man of the year, something can always go wrong.”


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Four years on from the death of his creator Chris Sievey, Frank Sidebottom has finally found the international platform that eluded him during Sievey's lifetime.


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Anyone who happened to catch Graham Norton's show on Friday night might have been surprised to see Richard Ayoade sharing the sofa with Kylie Minogue, Russell Crowe and Cameron Diaz: chat show royalty, and Ayoade's presence among them suggests things have turned out very well for the bloke from The IT Crowd.


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The Cure frontman Robert Smith has revealed that the group's next album will be a mix of brand new material and unused material from 2008's 4:13 Dream, their most recent record.

Smith wanted that album to be a double, but a single album was eventually released.

Speaking to NME following the group's performance for Teenage Cancer Trust at London's Royal Albert Hall on Saturday (March 29), Smith said of the album: "There’s new stuff that we’re doing with this line-up and stuff we finished with the old line-up."


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Coogan and Brydon return for more Michael Caine impressions: this time, in the sun...


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News just in: the programme has been announced for this year’s Sundance London festival.


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“The truth is, I don’t like dangerous things and am quite normal,” Christopher Walken told Uncut in September 2006. “I was born into show business and that brings with it being a little eccentric, the way you speak, the way you approach things. This innately gives me a sense of foreignness, which can easily translate into…s-t-r-a-n-g-e.”


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I was reading over the weekend about Mick Jagger and Martin Scorsese's latest collaboration - a project for HBO about the music industry in New York during the Seventies.


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In an interview in the current issue of Uncut with Willy Vlautin, the singer-songwriter with Richmond Fontaine, discusses his flourishing second career as an author.


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A lot of people peak in high school. Eric Love is not one of them. While many other teenagers are in the thick of their glory days, Eric is being starred up – that is, making the transition from a juvenile facility to a maximum security penitentiary, where he is billeted alongside some of the country’s very worst criminals. What follows over the next 100 minutes is as harrowing as you’d perhaps expect for a film that, in the first 10 minutes, sees Eric fashioning a shiv from a toothbrush and Bic razor. No good will come of this.


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Editor's Letter

"Kiss Tomorrow Goodbye": Cosimo Matassa 1926-2014


Among my post last week, I received a nice care package from Ace Records that included one quite weird Duke Ellington album ("My People"); Volume 3 of their "Where Country Meets Soul" series (I cannot recommend Ralph ''Soul'' Jackson's version of ''Jambalaya'' highly enough); and, maybe best of...