I’ve alluded a few times in recent weeks to the excellence of the forthcoming “Spiderland” boxset, and especially to the Lance Bangs documentary, “Breadcrumb Trail”, which it contains. “Breadcrumb Trail” tells the odd, low-key, long-obfuscated tale of Slint, revealing much without entirely dismantling the band’s mystique, and focusing on the band’s drummer Britt Walford.


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Being a bit of a broken record here: a proliferation of Hurray For The Riff Raff albums this week, since I’m writing a review of the fantastic “Small Town Heroes” at the moment. Plenty of new stuff as well, though, at least some of it recommended, with strong reference to Toumani Diabaté and his son Sidiki’s kora duets, and to the tantalising extract from a Fennesz album that’s being explicitly pitched as the follow-up to “Endless Summer”…


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One of the things I wrote in the new issue of Uncut (full details here) is a longish review of the new Real Estate album, which is out today, I think.


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Another song this week from what’s rapidly shaping up to be one of my favourite 2014 albums, Hurray For The Riff-Raff’s “Small Town Heroes”. Have a look, too, at the trailer for Lance Bangs’ Slint documentary, “Breadcrumb Trail”, which is the music film I’ve enjoyed most since the Source Family doc.


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For a while this week, it looked like I might be able to post a playlist entirely consisting of new entries, at least until I got dragged back into playing the Ryley Walker. But hey, look at all this, not least the clip of Shirley Collins’ first live performance in 30 years, which just showed up.


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Another one of the annoying redacted albums uncovered this week, in the shape of Avey Tare’s Slasher Flicks, on the first few listens possibly superior to the last Animal Collective set. I wish you could hear more of Angel Deradoorian on it, though: her “Mind Raft” EP from a few years back is maybe my favourite release from the extended Dirty Projectors collective.


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Something like two decades ago, when I was Features Editor of NME and making some pragmatic decisions involving coverage of second and third-tier Britpop bands, I had a kind of argument with Laurence Bell, the owner of the Domino label.


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Nick Offerman, a 43-year-old actor with a splendid moustache and a key role in what might currently be America’s best sitcom, is an interesting guy. Last year, he wrote and starred in a video for the mediocre LA indie-punk band Fidlar, in which he goes on an extended urinating spree.


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This week’s excuse for briskness is I have a longish review of Real Estate to write for the mag, but some good news in here: not least the appearance of a mighty stash of Fela Kuti albums on Bandcamp and some predictably weird mixtapes, compiled by John Fahey, fetching up on Soundcloud.


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I was struck by a couple of tweets this morning from Peter Watts (@peter_watts and the author of this month’s Ramones cover story in Uncut). The first ran, “I read the word 'liminal' in the Standard the other day. I think that's psychogeography's 'hippie wigs in Woolworths' moment.”


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Editor's Letter

The 34th Uncut Playlist Of 2014


Thanks for all the nice feedback about the Liam Hayes/Plush piece I wrote earlier in the week. Lots of other good new arrivals in the list here, and you could do worse...