A bit of a misunderstanding with regard to this album from Hush Arbors and Arbouretum, “Aureola”, which at first looked to be a collaboration between two acts I’ve written a fair amount about over the years.
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Lots of goodness in the playlist this week, but before we get there, a quick heads-up for the new issue of Uncut which should be out about now.
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There is a fairly telling moment, about three-quarters of the way through this mostly excellent night of three guitarists, at the Lexington, between the Angel and King’s Cross.
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Late Saturday afternoon, I was sat at the computer checking football scores when I received an email from Mark Golley, as passionate and assiduous a Neil Young fan as I’ve ever come across. “Check out the front page of neilyoung.com,” it advised.
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Mildly annoying evening last night, as I watched the ecstatic tweets coming in from the Lubomyr Melnyk show at Café Oto, unable to be there myself. Comfort came from the Ukrainian pianist’s new album, “The Voice Of Trees”, which I think has been one of my favourite personal discoveries of the last month or two.
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A long list this week, reflecting perhaps a certain current fixation on the work of Julia Holter and Elephant Micah.
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It would be nice to pretend otherwise, but I’m far from an expert on medieval lute music. A few years ago, however, a strong enthusiasm for the British guitarist James Blackshaw lead me to an album he’d made with a Dutch lute player – lutenist, apparently – called Jozef Van Wissem.
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It would be nice – and indeed, it’s sometimes professionally expedient – to pretend that we all work in splendid isolation, following our own idiosyncratic paths in directions that no other journalists travel.
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