Trying hard to disregard the fact that one record here has possibly irritated me more than anything I’ve played for a while, another nice list this week. Second Jack White track out is another keeper, and the Ililta! 12, especially, is really growing on me.


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A strange night at St Giles-In-The-Fields with Tim Hecker, which turned out to be something more like a real-time sound installation rather than a concert. This, I guess, is not a new problem with organ recitals: Hecker is sat in the organ loft, playing the church’s venerable instrument while the audience sit below, with their backs to him, in complete darkness, looking at the altar, and the silhouettes of two large speaker stacks.


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For the past couple of years, I’ve been writing a Wild Mercury Sound column in the print edition of Uncut; a slightly awkward thing that I’m genuinely happy to be done with.


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A bit of a misunderstanding with regard to this album from Hush Arbors and Arbouretum, “Aureola”, which at first looked to be a collaboration between two acts I’ve written a fair amount about over the years.


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Lots of goodness in the playlist this week, but before we get there, a quick heads-up for the new issue of Uncut which should be out about now.


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There is a fairly telling moment, about three-quarters of the way through this mostly excellent night of three guitarists, at the Lexington, between the Angel and King’s Cross.


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Late Saturday afternoon, I was sat at the computer checking football scores when I received an email from Mark Golley, as passionate and assiduous a Neil Young fan as I’ve ever come across. “Check out the front page of neilyoung.com,” it advised.


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Mildly annoying evening last night, as I watched the ecstatic tweets coming in from the Lubomyr Melnyk show at Café Oto, unable to be there myself. Comfort came from the Ukrainian pianist’s new album, “The Voice Of Trees”, which I think has been one of my favourite personal discoveries of the last month or two.


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A long list this week, reflecting perhaps a certain current fixation on the work of Julia Holter and Elephant Micah.


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It would be nice to pretend otherwise, but I’m far from an expert on medieval lute music. A few years ago, however, a strong enthusiasm for the British guitarist James Blackshaw lead me to an album he’d made with a Dutch lute player – lutenist, apparently – called Jozef Van Wissem.


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Editor's Letter

Bruce Springsteen, Tame Impala, Rodriguez, George Clinton, John Fogerty, Prince and George Jones in new Uncut


I would have bought the issue of Melody Maker in which I first read about Bruce Springsteen on my way into the art school in Newport, where in March 1973 I was in my last term, only a few months away from moving to London and not long after that fetching up on MM as a junior reporter/feature...