Dodgy list last week, really good one this. A few things to flag up, not least the Jimmy Page “Lucifer Rising” soundtrack which has been distracting us from finishing the issue this morning.
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After last week’s notable arrival of Neil Young & Crazy Horse’s “Americana”, Playlist 14 is somewhat sketchier. Harder than usual for me to get behind a fair bit of this list, as a consequence – though as you can see, there’s still at least one very interesting new entry…
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It begins as you might imagine, with a guitarist who seems about to play a sputtering solo rather than start a song, a drummer trying to work out what time to keep and, gradually, a band lunging towards a tune: “Oh Susannah”.
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Hopefully those of you who subscribe to Uncut will be starting to receive your copies of the new issue this morning (For the rest of you, it should be on sale tomorrow).
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Back in the office after a day off, but this is more or less what we played earlier in the week. First up this morning is the new Hot Chip album, which makes for a very good start to the day.
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Three weeks ago, I was fortunate enough to be in New York interviewing Jack White for what will be Uncut’s next cover story. The trip took in White’s unveiling of his two new bands on Saturday Night Live (you can watch the performances here) and a couple of pretty intense one-on-ones, the first of which became a fairly epic grapple of sorts.
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An amazing vernal equinox morning here in London, and a fine walk through the city: down St John Street, into Smithfield, past St Paul’s and the rat-run of old streets down to the river, and over the Millennium Bridge.
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News from Phil King on the Jesus And Mary Chain tour in Texas, yesterday, that Ty Segall was due to support them at a show. A pretty cool gig, one would imagine, and a useful prompt to remind me to write something about the latest release from Segall, especially since he’s promising – and it would be rash to disbelieve him, given his fecundity in the past two or three years – another couple of albums in the next few months.
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Thanks for all your kind words over the past couple of weeks about the relaunched mag. I know this will undoubtedly read like self-justifying hype on our part, but we have been genuinely thrilled and overwhelmed by how positive the response has been.
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For various reasons. I found myself in New York the other week, and in a resiliently unhip part of Williamsburg at a bar called Don Pedro. The opportunity had come up to see one of my favourite artists of the past couple of years, a firebrand piano man called Hans Chew, whose debut solo album, “Tennessee And Other Stories”, was a surprise entry at the sharp end of Uncut’s 2010 Top 50 (Lots more on that here).
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