Much wringing of hands and righteous indignation in Dylanworld today, as Mark Ronson's remix of "Most Likely You Go Your Way (And I’ll Go Mine)" is unveiled at Dylan07.com. Outrage and accusations of sacrilege, I imagine, will be the first responses of many of you.


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Yep, I guess it's that Ecstatic Peace time of the week again. Today's offering from Thurston Moore's imprint - maybe my favourite label of 2007, certainly the one I've written about most - is the jamming new album by Connecticut's Magik Markers.


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Some good neu-Krautrock this morning, coming from an American/German duo called, evocatively, Cloudland Canyon. I first came across them last year, I think, with an album called "Requiems der Natur 2002-2004" which fitted in with the ambient-cosmic end of the new psych stuff I listen to a lot.


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“Good idea this, weren’t it?” shouts Alex Turner from the stage. It was billed as a momentous event and in the end, that’s exactly what it was. Arctic Monkeys have just played the biggest headlining gig of their career at LCC, in front of a deafening 50,000 people and a sea of inflatable hammers. More of which later, as it’s been a terrific day all round.


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One or two hangovers in the Uncut office today, so I'm cheerfully trying to make them worse by playing this new live album by Konono No 1. It's a terrific album, but it also operates on an insistent, reverberant frequency which, I suspect, may well be rattling around the skulls of a few sore heads.


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There's an interesting interview with Steve Albini in the forthcoming issue of Uncut, where he talks about various albums he's been involved with over the years. One of them is PJ Harvey's "Rid Of Me". "Around that point, Polly was a wicked guitar player," Albini says. "One of the things that I think she lost after she moved away from the band format, and into the solo artist format, is that she doesn't show off her guitar playing any more - she's not in a situation where her guitar playing matters as much."


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I guess there are a few recurring subjects on Wild Mercury Sound, little hives of activity that I seem to keep visiting again and again. Thurston Moore's Ecstatic Peace label is one, and I need to tell you about the mighty new Magik Markers LP sometime soon. But the extended, diverse and interwoven Thompson and Wainwright folk dynasties is definitely another.


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The Sly And The Family Stone show in Lovebox and the gigs that preceded it have provoked some pretty interesting responses. Over at the Uncut festivals blog, someone called Alex notes, "Yes it's casualty soul funk - still better than the my little twat club etc (Not sure exactly what he's on about here, but stick with it) who can barely put a riff together. At least the yoof can hear how it should be done - that session band were tight as hell - and maybe we'll get some decent new bands coming through." Dillon, meanwhile, merely writes, "Can Someone say FREEKSHOW?"


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You know those people whose taste you instinctively distrust? Who only ever seem to love music that you can't stand? For me, that's Noel Gallagher. Every time he steps up to proselytise on behalf of a band, my heart sinks. Here, after all, is a man whose every aesthetic decision seems predicated on a terrifying fear of the unknown, whose idea of the avant-garde is Beck. If it doesn't fit Gallagher's conservative idea of The Song, he'll never speak out in favour of it.


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At nine o'clock, the omens are not great. Sly And The Family Stone are meant to be starting their headlining set right now, and the strict curfew on this inner-city festival is 10.30. On the main stage, though, Chris Stein has decided to add a five-minute guitar solo to "Rapture", while Debbie Harry looks on with a sort of professional vapidity. Blondie, in all their lumpen, functional weariness, aren't going to be finished any time soon.


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The 28th Uncut Playlist Of 2014


There's a song on this new Purling Hiss album, playing again now, that sounds more or less like "Debaser" played by Dinosaur Jr. Along with the intensely spirited debut by Mary Timony's Ex-Hex and a comp of the pre-...