A couple of things that have been hanging around for a few weeks now, and deserve some love here. One is “Rosemarie”, the debut album by an authentically fragrant Cornish band of Pre-Raphaelite damsels and dazed troubadours called Thistletown. Give me any excuse, and I’ll go into a comically apoplectic rant about the uselessness of most contemporary British bands who style themselves as acid-folk.


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In spite of my morbid suspicions about any record which features Har Mar Superstar, I find myself quite taken with the first album by Neon Neon. It's called "Stainless Style", and maybe it's acting as a kind of antidote to all the manly Led Zeppelin love I've indulged in these past few days.


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An office playlist today, since I've been putting the finishing touches to the next issue of Uncut and writing another - more coherent, hopefully - review of Led Zeppelin for the mag. John Robinson, our Reviews Ed, has mainly been at the controls this afternoon, running through a few new releases and currently dusting down The Beastie Boys' "Check Your Head", which is fine by me. Neon Neon, incidentally, is yet another new album from Gruff Rhys, this time a synthpop/hip hop/R&B concept album about John DeLorean, in collaboration with Boom Bip, a kind of substitute Danger Mouse. Sounds pretty good, anyway.


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So I’ve just got home from the Dome and the Led Zeppelin gig, so hopefully you’ll forgive me for the fact that my thoughts aren’t quite as neatly organised as usual. First off, I have to point out that, at the risk of sounding smug, they were fucking great.


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I’ve just got home from the Dome and the Led Zeppelin gig, so hopefully you’ll forgive me for the fact that my thoughts aren’t quite as neatly organised as usual. First off, I have to point out that, at the risk of sounding smug, they were fucking great.


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Mildly deranged vibes here today, as I prepare my body and soul for the Led Zeppelin gig tonight. I'll be posting a review of the show on this blog when I manage to get home from Greenwich, but you can follow the action throughout the evening as Farah Ishaq will be reporting non-stop from Greenwich on our Live Reviews blog.


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Not much time to post today, so here's an office playlist for your delectation. Thanks to everyone who posted their playlists last week - we can definitely do that again here if you're in the mood. I should also mention a few things I'll try and blog about before Christmas, if only in a fairly unsavoury attempt to book some return visits from you over the next couple of weeks.


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As I write, I’m listening to the second disc of “In Rainbows” for, I think, the third time. First impressions, then. The eight tracks shouldn’t be considered as offcuts, as inferior cousins of the songs that made it onto the first set; in fact, I’ve a hunch that some Radiohead fans might actually prefer some of the songs here.


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News reaches me from my house that the Radiohead discbox has turned up, with another CD of new songs to go with the ones we already know from the "In Rainbows" download. I'll try and get my head round those in time to blog tomorrow.


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Feeling a bit queasy right now, after watching five minutes of Jean Michel Jarre's new DVD while wearing 3D glasses. I can't vouch for the whole disc of "Oxygene", but Jarre seems to eschew the youthful sort of 3D stunts and go instead for shots of him and his mates playing some lovely old synths. Quite strange, not least because it seems to have had the unusual effect of making me both bored and dizzy at the same time.


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Editor's Letter

The 31st Uncut Playlist Of 2014


Some logical excitement here this week about the impending Leonard Cohen and Aphex Twin albums; in the event you've missed it these past couple of days, you can hear Cohen's superb "Almost Like The Blues" further down this blog.

Worth noting, though, some strong...