I’m standing at the bar of the swanky Indigo2 annexe to the O2 Arena when someone over the PA tells me to take my seat and stay there.


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Jimi Hendrix: Not Necessarily Stoned. . .But Beautiful

A few of us from the office went last night to the launch of the Jimi Hendrix Live At Monterey DVD and CD at the Hippodrome in Leicester Square, a swanky former nightclub now used for corporate events. I was last there for a party that followed IPC’s annual editorial awards, an event made especially memorable by a spectacular fall down a particularly steep flight of stairs, after which things become very vague, my memory of subsequent events – getting home, things like that – almost wholly non-existent.


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In February 1989, I find myself in Portland, Oregon, at the Pine Street Theatre, a venue that sounds somewhat grander than it actually is, which is not much fancier than a room above a bar where tonight I see Cowboy Junkies play for the first time.


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I’m not sure what I was expecting from Murray Lerner’s The Other Side Of The Mirror – Bob Dylan At The Newport Folk Festival 1963-1965, which I went to see last night at the BFI Southbank last night.


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My recent post about what I’d heard via an email from someone calling himself Raul Spendliv has excited a lot of comment, a lot of people treating what I wrote, understandably, with some suspicion.


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I don’t know how he’s come by the information, but I’ve had an email from the splendidly-named Raul Spendliv, who has more news on the ‘new’ Bob Dylan album I mentioned in this space recently.


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When on July 28, 1973, The Band played the Summer Jam festival at Watkins Glen, New York, on a bill that also included The Grateful Dead and The Allman Brothers, Garth Hudson, if he’d been so inclined, could have looked out from the stage onto a crowed of more than 600,000 – at the time, I think, the largest-ever audience for a rock show.


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Of course, I’d love to have been there, but since I wasn’t, here’s guest blogger Gavin Martin, on Bob Dylan’s return to Nashville. . .


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There’s barely a dry eye in the corner of the Electric Ballroom where I’m standing when as part of the taped music that introduces Mick Jones’ Carbon/Silicon, Joe Strummer’s lovely, wistful “Willesden To Cricklewood”, the dreamy closing track of Joe’s ‘comeback’ album, Rock, Art And The X-Ray Style, plays over the PA.


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Well, it’s all going off on Planet Bob.

As if the Mark Ronson re-mix of “Most Likely You Go Your Way (And I’ll Go Mine)” and triple CD set that’s looming, plus Todd Haynes’ I’m Not There movie to follow, plus autumn dates across the US with Elvis Costello as special guest wasn’t quite enough to be going on with, there are now whispers that Dylan’s planning a new album in early 2008, and they are getting louder even as we speak.


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Editor's Letter

‘Even worse than Lou Reed. . .’


Lou Reed was back in the news last week and for reasons other than his recent life-saving liver transplant. It turned out that some boorish actor, a self-styled hell-raiser, Rhys Ifans, by name, had thrown a bit of a strop during a newspaper interview and so one of the Saturday broadsheets,...